Hyderabad: The recently released Telugu poetry anthology Ucchala Jaladhi Taranga has sparked intense debates across literary and social platforms. Comprising contributions from 49 poets, the anthology delves into the themes of caste-based discrimination, Hindutva-driven aggression, and systemic oppression in India. The poets’ verses serve as a powerful medium of dissent, amplifying the voices of marginalised communities and calling for justice.
Curated by renowned writer and activist Mercy Margaret, the anthology was conceived as a response to escalating social injustices. The collection critiques caste violence, mob lynchings, and the silencing of dissent, shining a spotlight on incidents of oppression and intolerance.
The anthology references several recent incidents to underscore the urgent need for social reform: Renowned writer and editor N. Venugopal’s exhibition stall was targeted by right-wing groups; a Dalit man endured the humiliation of having urine poured on him in Uttar Pradesh, and a school headmaster from the Madiga community was forced to touch the feet of a student, instigated by casteist elements.
These events, alongside attacks on Dalit women and minorities, reflect the deep-seated inequalities that persist in Indian society.
A recurring theme in the anthology is the question, “What is caste?” The poets challenge the notion of a unified national identity, exposing the societal fractures caused by caste hierarchies. They critique the hypocrisy of those who claim to champion equality while perpetuating systemic discrimination.
In solidarity with the anthology and in response to increasing attacks on freedom of expression, Telugu writers, intellectuals, and journalists convened at Somajiguda Press Club on January 3. The gathering, organised by Telangana Peace & Unity and the Secular Writers Forum, saw prominent figures such as Professor Haragopal, Dr. K. Srinivas, Allam Narayana, Kondaveeti Satyavati, Sajaya, and Kalpana Kannabiran strongly condemn the rising instances of trolling, threats, and abusive language directed at writers.
The participants resolved to initiate legal and societal measures against those responsible for hate speech and intimidation. “This isn’t just a fight for writers; it’s a fight for the soul of our democracy,” emphasised one of the attendees.
While Ucchala Jaladhi Taranga has been lauded for its bold stance, it has also faced backlash from right-wing groups, who have labelled its title and content as provocative. Responding to these criticisms, the anthology’s contributors highlighted that the title, drawn from Telugu, symbolises the surge of suppressed voices.
“If the title or content provokes discomfort, it reflects the biases of the critics,” stated a spokesperson for the anthology.
“This collection is an expression of human anguish and the relentless pursuit of justice.”
The anthology and the writers’ gathering at Somajiguda Press Club underscore the role of art and literature as instruments of resistance. Ucchala Jaladhi Taranga is not just a collection of poetry but a rallying cry for social justice, equality, and the reclamation of human dignity.
As these voices grow louder, they remind society that the fight against oppression is far from over.
