Album: Ghafil Kyun Hai
Written and Directed by: Salahuddin Ahmed
Featured Artists: SJ Siddiqui, Toseef Khan, Junaid Alvi, Aatif Saifi & Shadab Chaudhary
Assistant Directors: Tanisha Dutta & Khalid Niyazi
Production: The Nasheed Studio Production
Review by:
Sajida A Zubair (Script Writer and PR for NST CoralWave Productions)
“Ghafil Kyun Hai” is not just an album; it’s a poignant narrative woven into musical tapestries, penned and directed by Salahuddin Ahmad. With a lineup of exceptional artists, including SJ Siddiqui, Toseef Khan, Junaid Alvi, Aatif Saifi, and Shadab Chaudhary, and the creative assistance of Tanisha Dutta & Khalid Niyazi, this album embarks on a journey of profound realization. Produced by The Nasheed Studio Production, it transcends mere musical expression to delve into the depths of spiritual awakening and the value of life beyond material indulgence.
The album intricately weaves in the realization of the truth of death as an integral part of its composition. Through poignant lyrics and emotive performances, it navigates the protagonists’ journey towards understanding the transient nature of life, prompting listeners to contemplate the inevitability of mortality and the importance of living with purpose and spiritual fulfillment.
The album’s narrative arc revolves around the realization that life is a precious gift, best utilized in spiritual connection rather than trivial pursuits. The lyrical finesse, created by Shez Khan serves as a chapter in the protagonists’ journey of awakening. From soul-searching introspection to the celebration of spiritual connection, the lyrics resonate with authenticity and depth.
The musical composition in the album is nothing short of exceptional. From soulful melody to stirring rhythms, each note is meticulously crafted to evoke emotion and introspection. The melodious voices of Khan Bros & Shez Khan render this song a captivating melody worthy of being listened to on a loop. The fusion of traditional and contemporary elements adds layers of richness to the sonic landscape, creating a captivating auditory experience.
The composition by Late Zubair Niyazi and Shez khan breathes life into the album’s narrative. Their emotive vocals and nuanced delivery amplify the album’s themes, drawing the listener into the protagonists’ journey of realization and transformation.
Under Salman Hussain’s direction of photography, the album transcends individual tracks to form a cohesive narrative which is a tribute to Late Niyazi. The song seamlessly flows into the next, guiding the listener through the protagonists’ experiences of awakening and enlightenment. Abdur Rahman, as Visual Effects Editor and DI Colorist, has executed a commendable job in rendering the 5-minute track captivating, contributing to this narrative cohesion, and ensuring a seamless and immersive listening experience.
I think the song “Ghafil Kyun Hai” could potentially broaden its appeal by reframing its message to resonate universally with youth from all communities. While it may address themes specific to a particular community, adapting the lyrics to convey a more inclusive message could make it relevant to a wider audience. Focusing on universal themes such as self-discovery, introspection, and the pursuit of spiritual fulfillment, the song can transcend cultural boundaries and speak to the shared experiences and aspirations of young people from diverse backgrounds. This approach would not only make the song more accessible and relatable to a broader audience but also promote unity and understanding among different communities through the power of music.
At its core, the album is a testament to the transformative power of spiritual connection. Through its lyrical content, musical compositions, and narrative structure, it encourages listeners to reflect on the true meaning of life and the importance of spiritual fulfillment. It serves as a gentle reminder that true happiness lies not in material indulgence, but in the embrace of spiritual truths.
